Breguet and Versailles announce a unique exhibition in Japan dedicated to Queen Marie Antoinette


Breguet and Versailles announce a unique exhibition in Japan dedicated to Queen Marie Antoinette

Breguet and Versailles announce a unique exhibition in Japan dedicated to Queen Marie Antoinette “Marie-Antoinette, a Queen in Versailles”

at the Mori Arts Center Gallery of Tokyo from October 25th 2016 to February 26th 2017
La Cote des Montres - October 31st, 2016

Montres Breguet and its President & CEO Marc A. Hayek are honoured to announce an exclusive partnership with the château de Versailles. Following on from the brand’s sponsorship of the restoration of the Petit Trianon, this year Breguet is delighted to support a captivating retrospective dedicated to Queen Marie Antoinette. The exhibition entitled “Marie Antoinette, a Queen in Versailles” will be held from Tuesday, 25 October 2016 to Sunday, 26 February 2017 in the highly renowned Mori Arts Center Gallery in Tokyo, Japan. Here, we take a look back at the exceptional bond that links Breguet to the last queen of France.

Marie-Antoinette © Château de Versailles
When Abraham-Louis Breguet left his native Switzerland for Paris in 1762, little did he suspect that he was about to embark upon a dazzling career that would indisputably take watchmaking to new heights. Abbot Joseph-François Marie, who had close ties to the French court, took him under his wing and enabled him to establish connections with those in power. Before long, he had impressed one particular customer who would go on to play a pivotal role in the young watchmaker’s career and in the history of the entire horological industry in general: Queen Marie Antoinette of France.

Abraham-Louis Breguet

The beginnings of a unique bond


After establishing his workshop on Paris’s Quai de l’Horloge in 1775, A.-L. Breguet received his first order from the Queen in 1782, for whom he created a perpetual repeater watch with calendar. It is likely that Breguet was introduced to the Queen at this time. She was soon charmed by the magnificent and ingenious creations of the master watchmaker, becoming one of his first and most faithful admirers. Always on the lookout for promising new creations, she purchased several timepieces from the watchmaker and readily expressed her enthusiasm to the French court and some of her guests, including foreign diplomats. Given the context of courtly life in the 1780s, who could be better placed than the Queen to establish a reputation and promote an as yet relatively unknown name? Until her very last days, the Queen demonstrated exemplary loyalty to the brand and even commissioned a “simple Breguet watch” from within the Temple Prison, where she was held captive in 1792.

Breguet N°1160

A legendary watch for the Queen


Incidentally, it was for Marie Antoinette that Breguet designed a watch that would remain the most complicated watch ever produced for almost a century. It all began in 1783, when A.-L. Breguet received a surprising order from an unidentified officer of the Queen’s guard. It involved producing a watch for the sovereign that incorporated all the complications and developments known at the time. No limits were set in terms of production time or cost, and gold was to replace all other materials wherever possible. More than just an order, this was a veritable challenge that Breguet was honoured to accept.

Breguet N°1160
However, the Queen never had the chance to admire the timepiece. It was only completed in 1827 – 34 years after her death, 44 years after it was ordered and 4 years after the death of A.-L. Breguet himself.

Breguet N°1160
Both the extreme complexity of this timepiece and its remarkable history have captivated the watchmaking world and collectors for more than two centuries. Stolen in 1983 from a museum in Jerusalem and eventually relocated in December 2007, this uncontested masterpiece of the watchmaking art has experienced a journey that is so enigmatic and shrouded in mystery that it has become a real subject of fascination.

Breguet N°1160
In 2005, the late Nicolas G. Hayek, who took over Breguet in 1999 as part of the Swatch Group, set his teams the challenge of identically reproducing this exceptional pocket watch. Recreating such a large number of complications on the sole basis of a few documents proved to be a real challenge for the Manufacture’s watchmakers. The details gleaned from the archives and original drawings held in the Breguet Museum and other cultural centres, such as Paris’s Musée des Arts et Métiers, was the only source of information available for each function or aesthetic feature.

Breguet N°1160 in his wooden box of oak Marie Antoinette at Versailles
During this incredible project, Breguet learned that Marie Antoinette’s oak, the Queen’s favourite tree in Versailles, was diseased and about to be cut down. In an attempt to give it a second life, the decision was taken to use the wood from the tree to craft the box of the Marie Antoinette watch. Versailles thus gave a sizeable piece of this oak tree to the watch brand which, in recognition of this gift, chose to support the estate, which forms an undeniable part of its history. This was the beginning of a new milestone in Breguet’s connection to Versailles.

Le Petit Trianon

The Petit Trianon, the Queen’s favourite estate


As part of its desire to contribute to the preservation of European historical and cultural heritage, Montres Breguet therefore decided to support the château de Versailles by reviving an estate that belonged to Marie Antoinette and which she adored: the Petit Trianon. More than a place of residence, this was a special, sophisticated location where the Queen could escape from the tiresome protocol of the court to enjoy her pastimes and a more authentic lifestyle. The brand’s actions have thus enabled a jewel of French neoclassical architecture to be restored to its former glory. All of the original decorative features have been restored, museological adjustments have been made, the apartments have been refurnished and all the technical installations have been revised. After commencing in 2007, the works came to an end in September 2008.

Bedroom Queen, ground floor © Château de Versailles

Marie Antoinette, a source of everyday inspiration


In homage to this prestigious customer, Breguet has regularly drawn inspiration from the Queen’s world to create exceptional pieces. For instance, in 2009 it unveiled the “La Rose de la Reine” High Jewellery line, which is inspired by the famous painting Marie Antoinette with the rose by portrait artist Elisabeth Vigée-Le Brun. Breguet recreated the famous rose held in the Queen’s hands using cameo, the traditional southern Italian art of sculpting the different layers of a shell by hand.

Bedroom Queen © Château de Versailles
Meanwhile, the “Les Volants de la Reine” collection pays vibrant tribute to the outfits worn by the Queen of France. First presented in 2014, the range astonishes with the elegance and complexity of its shapes, which recall the finest pleated silks and laces that adorned dresses at the time.

The Petit Trianon – the haven of peace in which the Queen loved to relax – has also become a source of inspiration for the Manufacture. The “Petit Trianon” jewellery line, launched in 2009, offers a simple reinterpretation of the refined, royal theme that characterises the place she cherished so dearly.

“Marie-Antoinette, a Queen in Versailles”

An Exclusive Evening in Tokyo for the Inauguration of the Exhibition

On Saturday October 29th 2016, Breguet is celebrating the exclusive preview showing of the exhibition titled “Marie-Antoinette, a Queen in Versailles”, on view at the Mori Arts Center Gallery from October 25th 2016 to February 26th 2017. Organized by the Château de Versailles and supported by the Manufacture, this retrospective is the first time that a complete evocation of the sovereign’s life is being presented in Japan. In special tribute to the exceptional ties between the last queen of France and the Maison Breguet, two refined creations inspired by her universe are to be unveiled at this gala evening.

Breguet Tokyo - Hayek Center
It is to the Résidence de France in Tokyo, in the presence of the Ambassador, that Marc A. Hayek, President and CEO Breguet, represented by the Senior Management of the Maison, is inviting 120 distinguished guests to mark the inauguration of the “Marie-Antoinette, a Queen in Versailles” exhibition. The choice of Japan for this retrospective is no coincidence, since it is the nation beyond France itself where the historical figure of Marie-Antoinette enjoys the greatest popularity. True to its past, the Maison Breguet naturally wished to support this cultural project of which the protagonist is one of its most devoted historical clients.

Breguet Tokyo - Hayek Center
To provide guests with a chance to learn more about the privileged commercial ties that Breguet enjoyed with Marie-Antoinette, the Maison is presenting a dedicated module from its roadshow “Breguet, a Story among the Greats”. The extent of the influence that the last queen of France had on creations by the watchmaker – and more generally on those of her era – is illustrated by pocket watch No. 1160. This iconic model is a reproduction of the “Marie-Antoinette” No. 160, a timepiece ordered from A.-L. Breguet in 1783 for the queen, and which for almost a century remained the most complicated model ever made. This horological wonder is then on display for two days at the Mori Arts Center Gallery, starting November 2nd, the sovereign’s birthday. From November 4th to 6th, it is making a stopover at the Breguet Boutique in Tokyo, before returning to the Manufacture in the Vallée de Joux, where it is preciously preserved.

Breguet Tokyo - Hayek Center
In homage to Marie-Antoinette, the Maison Breguet is taking this opportunity to unveil two exclusive creations specially developed for the launch in Japan’s capital of the “Marie-Antoinette, a Queen in Versailles” exhibition.